On Making People Into Things

Play-Bill-Caliban-1916

Do you ever wonder why there are so many stories about things that want to be human (or real), but aren’t? Pinocchio, the Velveteen Rabbit, Data on Star Trek? Caliban in The Tempest, who to my mind IS human, but has been told so often he’s a monster that he believes it?

African-American slaves were told they weren’t persons, and Jews in the Nazi camps were told that they were “vermin.” My recent book, Growing Up Golem, is very much about this dynamic, and I spoke about this curious confluence of fantasy, bigotry, and the psychology of survivors of exploitation and abuse in a recent talk at the New York Society for Ethical Culture.

Ever wonder what golems and physical abuse have to do with Hegel, Marx,  robots and racism? I lay it all out here!  🙂 Hope you enjoy.

The Queen’s Phallus

 

Wikipedia
Mut, an ancient Egyptian goddess.

 

You can think of this as a prose poem, or a “lyric essay,” or whatever you like. It was just published by my friends at City Lit Rag.

I first heard the phrase “The Phallic Mother” in college, and it made my heart and liver turn over. Into my hifalutin lit-crit classes it brought the specter of my own scary mother, who in psychic terms possessed the largest phallus on earth when I was a little girl and well into my adulthood.

Yet I also really appreciated hearing the phrase, and felt grateful to the psychoanalytic writers who’d come up with it, because the words “phallic mother” gave voice to a reality all too frequently ignored in our overly-literal culture: mothers could be phallic, women could possess scary (and appealing) alpha pharma authority, and although our culture was sexist to the bone, that did not mean that individual women did not sometimes exert power in a traditionally masculine way over some men, women and children.

In recent years, though, a slightly different phrase has been — appropriately enough — delighting and consuming me. That phrase is The Queen’s Phallus, and I am so occupied with it because I now have a Queen whose phallus is giant, warm and kind as a summer day is long.

They say that bitterness is easier to write about than fulfillment, starving hunger is more beckoning to a song than being satisfied and given-to:

But I will say: Her scepter deep inside me is the sign and emblem of God’s Grace, the register of enjoyment, entry of the lost lamb in the fold, the salmon leaping in the icy jet, the sweet recorder playing in dark wood, the ear of corn resplendent in the cave.

On Luxury Food

cavia-bob-ricard-soho-londonThis is part of a series I am beginning to write on foodie culture, and food and class. You can find the rest of this essay below at Local Write Up (see link):

When I was a child, I had my first bit of education about luxury when I found myself drawn again and again to the same two-page spread of my mother’s New York Times Cookbook, which featured no recipe whatsoever, just a photo and description of the best way to serve caviar.

It was Craig Claiborne’s famous cookbook, and we kept a copy not to cook, but to stare at and get ennobled by through osmosis, by merely perusing the veloutés, the lobster anastrover a l’ Americaine, the poached chicken in aspic. Or perhaps my mother actually intended to try and cook some of the things. I do not think she ever made more than one or two of them.

My mother cooked about once every two weeks or so, when she was home from her gigs teaching college philosophy courses at night, and the rest of the time my sisters and I ate cold cuts from the supermarket, scrambled eggs, Campbell’s tomato rice soup, and bread.

My father, it’s important to say, didn’t cook, either, although he did show an example of astonishing gusto in his food by constructing lipsmackingly elaborate sandwiches for himself, not fancy but delicious-looking: roast beef with piles of tomatoes, cheddar cheese, pickles, olives, onion. Mayo on one side, mustard on the other; he never made any sandwiches for me.

My mother, when she did cook, usually made pot roast: flanken, as we called it, with potatoes, carrots, onions, in a brown gravy. It was sustaining, occasionally even tasty, but I wanted more: wanted something different every time, wanted a parent who would cook for me every night, wanted things in different colors, different textures, wanted something expensive, elaborate, that would cram pleasure into the back of my throat, ravish my teeth, and thrust some unimaginable delight behind my eyeballs.

Because nobody had taught me how to cook and almost nobody used the stove in our house, I assumed that any kind of cooking would be as far beyond my ken as piloting a spacecraft. My mother had brought us up with the idea that if we didn’t start out excellent at something, there was almost no chance we’d ever be able to become good at it over time. She wanted us to stick with what we were already good at. The New York Times Cookbook, therefore, was a rather frightening read. But I could look with considerably more ease on my two favorite pages, which I now know almost by heart, over 30 years later. It was there that that gouty gay alcoholic, Craig Claiborne, pronounced the following round and fizzy words: “Appetizers or hors d’oeuvres are the frivolities of a meal, and, like champagne, they are capable of setting a mood. There are several that are almost guaranteed to give a feeling of elegance and richness. These are fresh caviar, genuine foie gras, cold lobster, smoked salmon and thin slices of fine ham such as that of Paris, Parma, Westphalia or Bayonne.”

To read more, click here.

Memoir Writing Workshop in Brooklyn

Windsor firehouse

Hi you all. Happy New Year!

I just wanted to let folks know that my next memoir writing class in Brooklyn starts Wednesday January 15, and goes through Wednesday March 5 (eight weeks).

If you’re interested, it meets from 7 to 9 PM in Windsor Terrace, and the fee is $300.

This workshop focuses on craft – particularly on using emotion, sensory details, storytelling and imagination to construct a profound and relatable piece of personal writing. Students will get frequent feedback in a supportive atmosphere. The number of participants is limited to eight. Students at all levels are welcome.

The class location is the border of Windsor Terrace and Kensington (near the Fort Hamilton Parkway F and G train stops, close to Park Slope).

If you’re interested, just let me know by sending an e-mail to growingupgolem AT Gmail.com.

And here’s some background on me and my my teaching history:

Donna Minkowitz has taught memoir writing and creative nonfiction since 1998, at the 92nd Street Y, The Kitchen, the World Fellowship Center, and the In Our Own Write program of the Lesbian and Gay Community Services Center, as well as independently. She won a Lambda Literary Award for her memoir Ferocious Romance, which was also shortlisted for the Quality Paperback Book Club’s New Visions Award “for the most promising and distinctive work by a new author.” A columnist for eight years at The Village Voice, she has also written for The New York Times Book Review, Salon, New York magazine, Ms. and The Nation. She received a 2004 writer’s residency from Ledig House and has appeared on The Charlie Rose Show and numerous NPR segments. Her second memoir, Growing Up Golem, has just been released by Magnus Books.

Many thanks! Donna

Travels in Bookland

Historian Jonathan Ned Katz, y yo (c) Social - Diarist/Jon Nalley, 2013
With historian Jonathan Ned Katz
(c) Social – Diarist/Jon Nalley, 2013

It takes infinitely more work to launch a book in 2013 than it did in 1998, last time I had a book come out. Or is it that I’m determined to be more integrally involved this time, the way the poet Denise Levertov said “the earth worm” “aerates/ the ground of his living”?

It’s been fun, draining, exciting, exhausting. Here are some pictures and other bits from the publication fray:

Jen Ivan golem
Two of my favorite comic book artists, Ivan Velez Jr.  and Jennifer Camper, at my book party at Queers for Economic Justice, NYC.

book party food

The food!

book party also

Community muckety-mucks, and my friends!

(c) Social + Diarist/Jon Nalley 2013
(c) Social + Diarist/Jon Nalley 2013

Reading at the Leslie-Lohman Museum of Gay and Lesbian Art.

(c) Cathy Renna 2013

Back at QEJ, reading. It was a fun night! 🙂

Btw, if you’re free, come out to see me next Tuesday, November 26 in NYC at Literary Mischief, an event where I’ll be reading with sex writer Rachel Kramer Bussel, author of The Big Book of Orgasms. There will be door prizes.

Terry Bisson/Ellis Avery

SpongeBob blushesI am so grateful (and blushing like SpongeBob) because I just got my first blurbs. The legendary science fiction author Terry Bisson called my book, “Rich and wild, dark and funny, as fearless as her legendary journalism and as scary as a fairytale.” And the extremely exciting fiction writer Ellis Avery said, “Brilliant… Minkowitz takes a dazzling leap of fancy and then writes a new bridge into being behind her for the rest of us to follow.”

I am SO thankful to both of them.

Here’s a quick update:  The final title of the thing is Growing Up Golem: Learning to Survive My Mother, Brooklyn, and Some Really Bad Dates, and it comes out September 21 from Magnus Books.

You can hear a preview at the reading I’ll be part of in New York Thursday, August 22 7:30 at the Lit!  series at Dixon Place, where I’ll be reading with four  superb writers, Rachel Simon, Melissa Febos, Shelly Oria and the aforementioned Ellis Avery. (161A Chrystie Street, no cover, cash bar.)

Publishing in September!

Pinocchio statue

[POST UPDATED August 17, 2013 : The book title is Growing Up Golem: Learning to Survive My Mother, Brooklyn, and Some Really Bad Dates.]

Hi lovely people who read my blog,

I just wanted to let you know that my new memoir will be published in September by Magnus Books!

I am very excited about this 🙂 🙂

The book, whose first chapter you can read here, is a magical realist memoir that uses the conceit that my mother created me as a golem, the magical servant-creature out of Jewish legend. (In real life, my mother actually did tell us that she could do magic she had learned from her Romanian Jewish grandparents, and my sisters and I believed her. My mother was an extraordinarily– at times revoltingly — creative person, so it was no great stretch to believe she had made me by hand like a golem or a living toy.)

In the book, I try to pass for human, becoming a golem who does queer activist reporting for the Village Voice, etc., trying to have relationships with real human women, but I remain, inescapably, an obviously fake imitation of a person programmed to obey commands, not have feelings or take pleasure. Matters come to a head when I turn 36 and all the false trappings of my life – career, friendships, fake sex life, even my body – suddenly flare into crisis.

So what, you’re probably wondering, is the title?

IT IS STILL UP IN THE AIR!

I feel like Bilbo Baggins In Lord of the Rings, feverishly writing and crossing out MY DIARY. MY UNEXPECTED JOURNEY. THERE AND BACK AGAIN. AND WHAT HAPPENS AFTER. ADVENTURES OF FIVE HOBBITS. THE TALE OF THE GREAT RING, COMPILED BY BILBO BAGGINS FROM HIS OWN OBSERVATIONS AND THE ACCOUNTS OF HIS FRIENDS. WHAT WE DID IN THE WAR OF THE RING.

What am I going to call this mashup of memoir and myth?

Stay tooned!

If you want me to keep you posted on further developments, just write “keep me posted” in the comments section!

My Dream Man

Black bull

I’ve begun sweating hard on the upper chest and forehead several times a week. It’s only menopause, but I’m imagining I’ve become a transgender man and am suddenly staggering and shaking with the amp-force of testosterone. Women who have actually transitioned into men have said they felt like they were going through a second adolescence, and I feel like that, haggard, hamhanded and stapled into 780 volts of something electric I cannot understand.

Weird pustules popping out on my face. Itchy, literally and figuratively. Bursting out of my skin, like a werewolf. I dreamt I was at a conference and wound up having sex with my roommate at the conference hotel, a fictitious gay male friend. In the dream, he was a kind of gay man who is a sort of icon for me, bearded, curlyheaded, sexy, smart, activist. Teddy-bear-like, and smiling at me from the other queen-size bed. Fiendishly energetic and productive.

My roommate was also gregarious and kind, and our sex was friendly, funny (“Who’d ‘ve thought I’d wind up having sex with you! I haven’t seen a penis since 1980!”) and surprisingly fun.

“But I always knew sex with you would be really, really special.”

So who was this gay man? I was kind of frightened of the dream (I am a lesbian happily married to another woman) and spoke to my therapist about it. She said, “Do your dreams normally come true exactly literally the way it happens in the dream?”

“No.”

My therapist is gnomic — although she does not look like a gnome — she’s short, like me, but not masculine in the slightest, although she’s about 10 years older than me and therefore postmenopausal almost certainly. A crone, by the mythic definition at least. A little frilly —  she likes florals, wears hose — but not a femme fatale either, thank God, because that would terrify me in a psychotherapist.

“I like to think of every character in a dream as being part of the dreamer. Because who else would they be if not you?”

Who would they be?

“My lost brother.” The thought comes to me (I’ve never had a brother in the waking world), and at the same time the dream man looks just a little like my old editor H. who, balding, sweaty and fat but bearded and mustached, could burrow through any obstacle whatsoever with the sheer force of his energy. Let me be perfectly clear about this: I hate H. But when he was my editor I was telling him all the time that he was like a second father to me. (For all my hatred, it was true.) He never seemed particularly pleased to hear it. Still, the man was productive.

The dream man was far nicer and far cuter, but with a similar power as my mentor. The poet Denise Levertov wrote about him once without knowing that was what she was doing:

“the flowerlike
animal perfume
in the god’s curly hair”

My dream guy’s hair denoted animal powers — almost the “animal spirits” of the stock market — a sort of mammalian joy in what was possible, what could be done, in the work that could be accomplished. There was an “agricultural” sense to him, like a Wagyu that longs to plow the field. Brown and Taurean, beaming sweetly under his horns, able to give because so gay and empowered.

Able to love because of the enormous cord of muscle on his chest.

Stamping down the floor.

Tenacious. I have been tenacious but not in as entire a way as this man. Not in as direct a way as this man.

Just seeing my 48-year-old face in the mirror, trying to find a way not to see it simply as fat, exhausted, lined.

His face my face. Not so bloody different. I happen to be a Taurus, too. My hair is naturally brown. I make things I love, and I still love them after I have made them. I love to make love, and I still love my wife after I have made love to her.

“Power becomes you,” my first therapist once said to me. And, though I’m not transgender, I pretty much always have identified as a boy, but a weak boy. A boy of fluff, a boy not as confident as his actual powers would suggest, a boy afraid to use his core of fire. This man in my dream was different not so much by being male, but by being a man.

And indeed now I am faithful, as I never was. For I am not changeable anymore. I am myself all the way through — I know what I am, every piece good and bad, and I will not shatter or crack.

This has nothing to do with the blood no longer soaking my uterus every month, and everything to do with awakening from a delusion.

I find my Self inside me suddenly like a dragon of all genders, flexing its green limbs, coiling and uncoiling wings and legs and slow-raised eyelids, glancing softly at the world. Long eyelashes batting, webbed talons raking the black soil, look of love.

(c) Donna Minkowitz 2012