The Bellingham Review has also just published the following short essay by me (published under the title “Tender”) in their fall special issue of creative nonfiction about disability.
I’m on Facebook. Some of my friends are posting their fury, as artists and radicals, about something that’s just happened: A few art students have complained to college administrators about their professor. He’s made them watch, as part of a regular class session, an experimental film he made. It shows, among other things, his erect red penis again and again, at one point going into a woman’s mouth and later, her vagina.
These friends of mine are furious the students have interfered with their professor’s work by complaining. On their pages, commenters condemn students for their “fragile sensibilities” and “fragile feelings,” for how “delicate” they surely are.
Oh reader, I am fragile, I am delicate, in fact I’ve often wanted to write a book entitled Sensitive. Because spectacularly, insatiably, annoyingly, unbearably, I am.
I am not saying that everyone who doesn’t want to have to watch their professor fucking a woman on camera is someone who is Delicate, like me. But I thought I would tell about my own experience.
I am sensitive in almost every way a person can be. And most of my sensitivities come from disabilities. I have a couple different ones of those (physical, psychic), but the disability that has made me the most sensitive of all, the tenderest, perhaps the choicest meat to the touch, is the abuse and neglect I experienced as a child.
But the tender meat is tickled all day, and sometimes it’s// unbearable
“Grow up,” says one Friend of a Friend, and others echo, “Yup, they should grow up.” A woman comments, “One would hope that they’re mature enough to care of themselves and leave.”
None of us has read the students’ complaints because they are not public, so we don’t know what they told administrators about being made to watch the film. But a man mocks them for having what he writes in capitals as “Triggers. Oof.”
Oof. I am able to be triggered, yes indeed, and definitely not always able to take care of myself in a situation of harm and just leave.
About that last bit, no human being is in fact so powerful that we are always able to remove ourselves from what we can’t endure.
My friends’ 5000 fans condemn the students’ “latent puritanism,” their “learned helplessness,” their “censorship, punishment, and scapegoating.” Says a man, “The conflation of discomfort and harm is a truly bizarre phenomenon that I believe can be attributed to a vocal minority of bourgeois, sheltered millennials.”
To read the piece on their site and see the other work in their special issue on disability, click here.
Is there something gay about the wild visual and tactile fantasies at play in dessert-making?
“Of course, it’s a gay sensibility! We don’t say it in public anymore, but fuck them, of course it’s a gay sensibility!” said Ron Ben Israel, one of the most elite wedding-cake makers in America and the queerest queer to have ever starred in a TV food series.
You’ll remember him as the madman behind Sweet Genius, the Food Network pastry-competition show where he subjected patissiers to amusingly cruel tests like making a cake with duck fat and fusilli that somehow reflected the artistic inspiration of a diamond. The surrealism of Ben Israel’s tests seemed queer in itself: on the show, he made chefs confect chocolates out of Pop Rocks and beef jerky, inspired by a disco ball, and insisted on another occasion that they create a frozen dessert out of squid ink that also somehow got across the idea of butterflies. Continue reading “Ron Ben Israel, Queerest Chef of All”
One of the main things our movement is about is pleasure. The right to pleasure, and the goodness and innocence of all pleasure that hurts no one, is what we, more than anyone else in our time (and perhaps any time), assert and defend. In honor of Pride, this is a column full of pleasures that cannot be bought, as we ourselves cannot be bought and sold. Screw the corporatization of Pride, here is a list of stark raving pleasures you don’t have to go into debt for, not make rent for, or even post about so that some advertiser will reward you.
The play of air on your bare legs in shorts. Lips like roses, soft and with that rose-texture and even the smell of roses, overwhelming you with kisses. An entire mouth, open and trusting, on your nipples, exploring them around and around and through. (You might protest that you could buy this experience, but you cannot buy the specific pleasure of having this done to you by someone who is doing it for free, for no other reason than because they really, really wanted to.) You, going swimming in the ocean and letting the waves jump you. Someone’s vagina like a volcano in your fingers. Continue reading “Pleasures That Cannot Be Bought”
I hope you’re having a great summer. I haven’t had time to share all my news of the past few months, so here it is!
First, I had a great review over at the radical, trans-positive feminist magazine Make/Shift by Allison McCarthy. You can find out a lot more about Make/Shift here, but they don’t put their articles online, so here’s a taste from the review: “Far from conventional and always insightful, Minkowitz sets herself apart from other memoirs through sharp language and a clear understanding of her family’s dynamics… I cheered for her triumphant reclamation of self.” Thanks, Allison McCarthy!
Second, here’s a guest post I did over at my publisher Riverdale Ave Books’ blog, on “Why Should Fantasy Writers Have All the Fun?” It’s about how you too can have enchanted dolls and child-eating witches in your memoir!
Third… want to take a free memoir writing workshop in September? I’m teaching one Saturday, September 13 at the Brooklyn Public Library, under the auspices of the New York Writers Workshop. 2 PM at the Windsor Terrace branch, 160 E. 5th Street near Fort Hamilton Parkway. We will explore ways to use emotion, the senses, critical thinking, and storytelling to write relatably about your life. For more information, contact firstname.lastname@example.org.
If you’re really interested in taking a memoir course in NY, I am then teaching an eight-week workshop in Brooklyn, on Tuesday evenings starting September 16 (7 to 9 PM). The class will focus on craft: extensive feedback in a supportive atmosphere. Small class size. Fee is $300. You can use the same email for more info 🙂
Finally – live in the Bay Area? On October 30 I’m coming to SF to do a Growing Up Golem book event with Keshet (the organization for LGBT Jews), Congregation Sha’ar Zahav, and the James C. Hormel Gay and Lesbian Center of the San Francisco Public Library. What do golems have to do with growing up queer, Jewish, and physically abused? Get your Halloween groove on and find out! More later.
You can think of this as a prose poem, or a “lyric essay,” or whatever you like. It was just published by my friends at City Lit Rag.
I first heard the phrase “The Phallic Mother” in college, and it made my heart and liver turn over. Into my hifalutin lit-crit classes it brought the specter of my own scary mother, who in psychic terms possessed the largest phallus on earth when I was a little girl and well into my adulthood.
Yet I also really appreciated hearing the phrase, and felt grateful to the psychoanalytic writers who’d come up with it, because the words “phallic mother” gave voice to a reality all too frequently ignored in our overly-literal culture: mothers could be phallic, women could possess scary (and appealing) alpha pharma authority, and although our culture was sexist to the bone, that did not mean that individual women did not sometimes exert power in a traditionally masculine way over some men, women and children.
In recent years, though, a slightly different phrase has been — appropriately enough — delighting and consuming me. That phrase is The Queen’s Phallus, and I am so occupied with it because I now have a Queen whose phallus is giant, warm and kind as a summer day is long.
They say that bitterness is easier to write about than fulfillment, starving hunger is more beckoning to a song than being satisfied and given-to:
But I will say: Her scepter deep inside me is the sign and emblem of God’s Grace, the register of enjoyment, entry of the lost lamb in the fold, the salmon leaping in the icy jet, the sweet recorder playing in dark wood, the ear of corn resplendent in the cave.