Memoir Writing Workshop in Brooklyn

Windsor firehouse

Hi you all. Happy New Year!

I just wanted to let folks know that my next memoir writing class in Brooklyn starts Wednesday January 15, and goes through Wednesday March 5 (eight weeks).

If you’re interested, it meets from 7 to 9 PM in Windsor Terrace, and the fee is $300.

This workshop focuses on craft – particularly on using emotion, sensory details, storytelling and imagination to construct a profound and relatable piece of personal writing. Students will get frequent feedback in a supportive atmosphere. The number of participants is limited to eight. Students at all levels are welcome.

The class location is the border of Windsor Terrace and Kensington (near the Fort Hamilton Parkway F and G train stops, close to Park Slope).

If you’re interested, just let me know by sending an e-mail to growingupgolem AT

And here’s some background on me and my my teaching history:

Donna Minkowitz has taught memoir writing and creative nonfiction since 1998, at the 92nd Street Y, The Kitchen, the World Fellowship Center, and the In Our Own Write program of the Lesbian and Gay Community Services Center, as well as independently. She won a Lambda Literary Award for her memoir Ferocious Romance, which was also shortlisted for the Quality Paperback Book Club’s New Visions Award “for the most promising and distinctive work by a new author.” A columnist for eight years at The Village Voice, she has also written for The New York Times Book Review, Salon, New York magazine, Ms. and The Nation. She received a 2004 writer’s residency from Ledig House and has appeared on The Charlie Rose Show and numerous NPR segments. Her second memoir, Growing Up Golem, has just been released by Magnus Books.

Many thanks! Donna

Lambda Literary & Me


So excited to have an interview with me today be the main article in the Lambda Literary Review.

This is how Sarah Burghauser’s piece begins:

“This past October, former Village Voice contributor and activist journalist Donna Minkowitz released her hot-blooded new memoir, Growing Up Golem about her struggle with the inhibitive physical condition, RSI, her injurious family history, and the intimacy of abuse.

In an email exchange with the Lambda Literary award winner, Donna discussed the roles of fantasy, identity, and writing sex in Growing Up Golem.

Q: I’d like to start with a quote from your book: “I have never felt particularly Jewish or lesbian. I identify much more, I say, as a sort of sexy, holy kid on a motorcycle. The kid may be male. He’s an effeminate boy with long hair. I think he has pork remnants on his fingers.” When I read these lines I began to wonder if you consider your book to be more of a queer memoir? A Jewish memoir? A disability memoir? Or something else entirely? In other words, is there a particular part of your story that you see as the northern star? A theme more naturally fertile or interesting to you as a writer?

A: The reader should bear in mind that I’m saying these words at a very particular moment in the book; this is not always how I feel. (In the book, I’m saying those words as a member of a panel on “Jewish Lesbian Writers,” and of course I immediately feel the ways I don’t fit in that box.) Actually, I find I’m feeling both more “Jewish” (in terms of culture, not religion) and more “lesbian” as I get older. As to the rest of your question, the book is all of them and more! It’s also a memoir mixed with Tolkien-style fantasy. It’s impossible to separate the different aspects of it…. Which is appropriate, because it’s a book about becoming whole.”

For more of the interview, read here.

Travels in Bookland

Historian Jonathan Ned Katz, y yo (c) Social - Diarist/Jon Nalley, 2013

With historian Jonathan Ned Katz
(c) Social – Diarist/Jon Nalley, 2013

It takes infinitely more work to launch a book in 2013 than it did in 1998, last time I had a book come out. Or is it that I’m determined to be more integrally involved this time, the way the poet Denise Levertov said “the earth worm” “aerates/ the ground of his living”?

It’s been fun, draining, exciting, exhausting. Here are some pictures and other bits from the publication fray:

Jen Ivan golem
Two of my favorite comic book artists, Ivan Velez Jr.  and Jennifer Camper, at my book party at Queers for Economic Justice, NYC.

book party food

The food!

book party also

Community muckety-mucks, and my friends!

(c) Social + Diarist/Jon Nalley 2013

(c) Social + Diarist/Jon Nalley 2013

Reading at the Leslie-Lohman Museum of Gay and Lesbian Art.

(c) Cathy Renna 2013

Back at QEJ, reading. It was a fun night! :-)

Btw, if you’re free, come out to see me next Tuesday, November 26 in NYC at Literary Mischief, an event where I’ll be reading with sex writer Rachel Kramer Bussel, author of The Big Book of Orgasms. There will be door prizes.

Book Events, with Cake

(c) Karen Lippitt 2013

(c) Karen Lippitt 2013

Dear friends,

If you happen to be in NYC, I hope you’ll come to my book launch party THIS FRIDAY NIGHT: 6:30 PM at 147 W. 24th St., #4. Please come eat, drink and dance with me, and get your hot little hands on a copy of GROWING UP GOLEM.

Other upcoming events, including Boston  (elsewhere added soon) :

This Sunday, October 27: Talk at the Sunday service of the Brooklyn Society for Ethical Culture, “On Making People into Things,” 11 AM to 12:30 PM, 53 Prospect Park West. Followed by Brooklyn party and book signing, 12:30 to 2 PM. I’ve heard there will be cake!

Wednesday, October 30, Public Conversation at the Lesbian and Gay Center with William Johnson, editrix of Lambda Literary Review and Mary, 7:30 PM, 208 W. 13th Street, Manhattan.

Friday, November 8: Calamus Bookstore, Boston MA, 92 S Street #B, reading and signing, 7 PM

Thursday, November 14: Leslie-Lohman Museum of Gay and Lesbian Art, 26 Wooster St., Manhattan, reading and signing, 6-8 PM

Monday, February 3, 2013: Talk and signing at Temple Avodah, Oceanside, NY, 7:30 PM

Terry Bisson/Ellis Avery

SpongeBob blushesI am so grateful (and blushing like SpongeBob) because I just got my first blurbs. The legendary science fiction author Terry Bisson called my book, “Rich and wild, dark and funny, as fearless as her legendary journalism and as scary as a fairytale.” And the extremely exciting fiction writer Ellis Avery said, “Brilliant… Minkowitz takes a dazzling leap of fancy and then writes a new bridge into being behind her for the rest of us to follow.”

I am SO thankful to both of them.

Here’s a quick update:  The final title of the thing is Growing Up Golem: Learning to Survive My Mother, Brooklyn, and Some Really Bad Dates, and it comes out September 21 from Magnus Books.

You can hear a preview at the reading I’ll be part of in New York Thursday, August 22 7:30 at the Lit!  series at Dixon Place, where I’ll be reading with four  superb writers, Rachel Simon, Melissa Febos, Shelly Oria and the aforementioned Ellis Avery. (161A Chrystie Street, no cover, cash bar.)

Publishing in September!

Pinocchio statue

[POST UPDATED August 17, 2013 : The book title is Growing Up Golem: Learning to Survive My Mother, Brooklyn, and Some Really Bad Dates.]

Hi lovely people who read my blog,

I just wanted to let you know that my new memoir will be published in September by Magnus Books!

I am very excited about this :-) :-)

The book, whose first chapter you can read here, is a magical realist memoir that uses the conceit that my mother created me as a golem, the magical servant-creature out of Jewish legend. (In real life, my mother actually did tell us that she could do magic she had learned from her Romanian Jewish grandparents, and my sisters and I believed her. My mother was an extraordinarily– at times revoltingly — creative person, so it was no great stretch to believe she had made me by hand like a golem or a living toy.)

In the book, I try to pass for human, becoming a golem who does queer activist reporting for the Village Voice, etc., trying to have relationships with real human women, but I remain, inescapably, an obviously fake imitation of a person programmed to obey commands, not have feelings or take pleasure. Matters come to a head when I turn 36 and all the false trappings of my life – career, friendships, fake sex life, even my body – suddenly flare into crisis.

So what, you’re probably wondering, is the title?



What am I going to call this mashup of memoir and myth?

Stay tooned!

If you want me to keep you posted on further developments, just write “keep me posted” in the comments section!

My Dream Man

Black bull

I’ve begun sweating hard on the upper chest and forehead several times a week. It’s only menopause, but I’m imagining I’ve become a transgender man and am suddenly staggering and shaking with the amp-force of testosterone. Women who have actually transitioned into men have said they felt like they were going through a second adolescence, and I feel like that, haggard, hamhanded and stapled into 780 volts of something electric I cannot understand.

Weird pustules popping out on my face. Itchy, literally and figuratively. Bursting out of my skin, like a werewolf. I dreamt I was at a conference and wound up having sex with my roommate at the conference hotel, a fictitious gay male friend. In the dream, he was a kind of gay man who is a sort of icon for me, bearded, curlyheaded, sexy, smart, activist. Teddy-bear-like, and smiling at me from the other queen-size bed. Fiendishly energetic and productive.

My roommate was also gregarious and kind, and our sex was friendly, funny (“Who’d ‘ve thought I’d wind up having sex with you! I haven’t seen a penis since 1980!”) and surprisingly fun.

“But I always knew sex with you would be really, really special.”

So who was this gay man? I was kind of frightened of the dream (I am a lesbian happily married to another woman) and spoke to my therapist about it. She said, “Do your dreams normally come true exactly literally the way it happens in the dream?”


My therapist is gnomic — although she does not look like a gnome — she’s short, like me, but not masculine in the slightest, although she’s about 10 years older than me and therefore postmenopausal almost certainly. A crone, by the mythic definition at least. A little frilly —  she likes florals, wears hose — but not a femme fatale either, thank God, because that would terrify me in a psychotherapist.

“I like to think of every character in a dream as being part of the dreamer. Because who else would they be if not you?”

Who would they be?

“My lost brother.” The thought comes to me (I’ve never had a brother in the waking world), and at the same time the dream man looks just a little like my old editor H. who, balding, sweaty and fat but bearded and mustached, could burrow through any obstacle whatsoever with the sheer force of his energy. Let me be perfectly clear about this: I hate H. But when he was my editor I was telling him all the time that he was like a second father to me. (For all my hatred, it was true.) He never seemed particularly pleased to hear it. Still, the man was productive.

The dream man was far nicer and far cuter, but with a similar power as my mentor. The poet Denise Levertov wrote about him once without knowing that was what she was doing:

“the flowerlike
animal perfume
in the god’s curly hair”

My dream guy’s hair denoted animal powers — almost the “animal spirits” of the stock market — a sort of mammalian joy in what was possible, what could be done, in the work that could be accomplished. There was an “agricultural” sense to him, like a Wagyu that longs to plow the field. Brown and Taurean, beaming sweetly under his horns, able to give because so gay and empowered.

Able to love because of the enormous cord of muscle on his chest.

Stamping down the floor.

Tenacious. I have been tenacious but not in as entire a way as this man. Not in as direct a way as this man.

Just seeing my 48-year-old face in the mirror, trying to find a way not to see it simply as fat, exhausted, lined.

His face my face. Not so bloody different. I happen to be a Taurus, too. My hair is naturally brown. I make things I love, and I still love them after I have made them. I love to make love, and I still love my wife after I have made love to her.

“Power becomes you,” my first therapist once said to me. And, though I’m not transgender, I pretty much always have identified as a boy, but a weak boy. A boy of fluff, a boy not as confident as his actual powers would suggest, a boy afraid to use his core of fire. This man in my dream was different not so much by being male, but by being a man.

And indeed now I am faithful, as I never was. For I am not changeable anymore. I am myself all the way through — I know what I am, every piece good and bad, and I will not shatter or crack.

This has nothing to do with the blood no longer soaking my uterus every month, and everything to do with awakening from a delusion.

I find my Self inside me suddenly like a dragon of all genders, flexing its green limbs, coiling and uncoiling wings and legs and slow-raised eyelids, glancing softly at the world. Long eyelashes batting, webbed talons raking the black soil, look of love.

(c) Donna Minkowitz 2012

On Wanting to Be Liked

Sometime in the late 90s I got the erroneous idea that Jana Finkelstein was interested in me.

She was a writer who was just coming up, and I was an established writer in the lesbian scene at least, and when it became clear that Jana was impressed with me and had a strong desire to network and hobnob with me, I became somehow convinced that Jana wanted to fuck me.

My erotic radar had never been very good. Its mechanisms had been smashed by a hasty forklift turning sharply in the factory, and I had hardly ever been able tell whether there was a spark between someone and me or I just had too many frankfurters that day at lunch.

In particular, I had often been confused about the difference between someone liking my work and thinking I was smokin’ hot. There was the horrible time a sweet young staffer at a gay rights organization in DC had gotten me tickets to Bill Clinton’s inauguration, and I had assumed that rather than just being nice to a journalist, the girl was ready for a night of love. Then there was the lissome woman in Queer Nation who’d exclaimed, “Wow, so you’re Donna Minkowitz! I really love your journalism,” and I’d thought we’d definitely be eating spicy crab and playing footsie in a week or two.

It wasn’t simply that I was a cad, although one effect and perhaps cause of my confusion was that I was. More than that, though, I was spectacularly clueless, erotically colorblind.

I guess I had been brought up with two fundamentally contradictory but powerful assumptions about myself: that I was a stinking, livid turd freshly emitted from the ass of a sewer troll and the brightest human being in New York City.

This was what my mother had always told me — both things. First one, then the other, alternating.

This impacted the whole of my relations with other people. I suppose it’s natural that I saw the entire sphere of the social as subject to manipulations or inducements, like whether I could get someone free tickets to a play, or increase their cultural cachet by having their friends see them with me, the famous lesbian Village Voice writer. (By extension, if I ever exhausted the pool of free theater tickets, or if my writing ever stopped being published, I thought that no one would ever want me.)

In all fairness to my mother, she had made a similarly vertiginous assessment of her own value as a person. What she painstakingly taught my sisters and me as soon as we could hear was that the dividing line between paradisic charisma and worthlessness was horrifically narrow, and that it fluctuated in a strange and dizzying fashion. We could do hardly anything to affect which quadrant the needle fell in, but we must affect it, must perfectly and unerringly affect it at every moment and steer it into the right corner, at the cost of an unnameable terror.

So I was both desperate and “utterly confident,” naked and clothed in a fake armor of perfection — so that when Jana came by and remarked that she used to live in the same apartment building as me and had always been tickled to be my neighbor, I felt buzzed, anxious and under terrific obligation all at once: Here was some of this mysterious current of being liked, which alone — in the form of praise, sexual attention, publications, awards, and coffee dates — could certify me against the fecal. Continue reading

First Impressions of Talde

I don’t want to tell you about Talde being hot, or about how annoying its chef, Dale Talde, was on Top Chef. What I want to tell you is what eating at Talde was like in spite of that, or, better yet, having nothing whatever to do with that.

I went for brunch even though I had no one to go with me, because dishes like “pretzel pork chive dumplings” and “lobster buns with chile mayo” prickled the pleasure centers in my brain as soon as I heard of them, and wouldn’t stop prickling them. My wife was busy having brunch out herself with a friend, and I wanted something fancy, special, and delicious, too, to compensate for not having been invited.

I was surprised that in this case, hotness did not mean superciliousness, and I was welcomed with warmth even though I was a woman dining alone who did not want to sit at the bar. Also that Talde was so good that it made me want to communicate minutely about every aspect of the food I could, as though it were a piece of poetry or a weird white flower growing on the moon.

Talde is an Asian-American restaurant (that’s what its owners call it) in Park Slope, Brooklyn, New York. I ate the bacon pad Thai, which is an oyster-and-bacon pad Thai at dinner, and was stirred to a degree that bordered on emotion by its sour, complicated, enlivening flavors. With fat chunks of bacon, it tasted of lime, of fish funk from the great sauce called nam pla, of salt, and an almost indescribable tanginess. I wanted more fat and even more of that funky fishiness – probably the addition of oysters at dinner helps it. There were some peanuts, but I wanted more, and some more minced herbs for contrast. Even so, I loved it so much that its peculiar sour mix of flavors has stayed with me a month later. I ate the entire bowl, even though it was huge and mostly noodles.

One more thing: Talde’s cappuccino. I got it because they only had Americano, cappuccino and latte, and for me cappuccino is the least offensive of the three. (I prefer coffee, and I need it at brunch.) Usually cappuccino at restaurants that do not specialize in outrageously-good coffee is terrible. This cappuccino was, strangely, the best I’ve ever had.

It was strong and buzzy enough to hold up to all that milk, it did not taste like a would-be coffee dessert or coffee for weaklings. It was bracing, yet a little fruity – coffee, with a dose of steamed milk, the way they do it in Spain.

(c) Donna Minkowitz 2012

All I Ever Need to Know I Learned in Pilates

“I’ve got you,” I say to myself as I bend over at the low drinking fountain at the Y. Bending this way has been a scary movement for me for years, with low back and shoulder injuries and a perennially weak body.

Perennially, yes, but changing. Talking to myself, I’m speaking in the voice of my abdominal muscles, of all my muscles in fact, the internal and external obliques, the transverse, the rectus, and the thighs and pelvic muscles too, reminding the individual cranky and scared parts of me that they are not alone, never alone, that they are held up and cared for by all of me together and I’m not letting them go.

My teacher taught me this on the weird Pilates contraption known as the Cadillac, the one that looks like the medieval torture device known as the rack. I almost didn’t get on it. But when he put those disconcerting-looking metal leg springs on my legs and showed me how to let my stomach take the weight so that my poor back wouldn’t have to, I felt a surprising Ah inside, the Ah of my chest opening and magically getting lighter, the Ah of my entire body becoming more spacious — whole apartments and subbasements and rooms, inside my body! Whole gathering spaces and meeting rooms and galleries, an entire city of bone and ligaments and muscle!

A big pink flower in my body, like a tall lily stretching from my collarbone to my coccyx, and the leaves of it coming down my legs!

It is hard to say this, the following thing: it is hard to say this. Fear and tightness have been a very big part of my life. Not just physically! It’s not at all uncommon for me to feel stifled, strangled, caught. Like a fish in a net gasping, unable to move one way or the other; literal torture. I have often been afraid “the worst” would come — So, what do I mean by that, “the worst”? I mean something like feeling agony forever, physical or mental, and being forcibly stuck and held there, feeling shame, being starved for care and connection, even from (perhaps most from) myself.

Some Christians say that “hell” means most of all alienation, alienation from “God” meaning being denied contact with anything, anyone that contains the sacred. Because I think all human beings partake of the sacred, to me hell means, most fundamentally, not being connected — to yourself or anyone else.

Oh my reader: sometimes I’m afraid that people who act like they like and respect me actually think I’m stupid. It gets worse: Almost everyone I talk to each day I think, in some deep way, is going to hit me. Almost everyone I email, too. Hit me over the head with a pipe for being such an inferior person.

Sometimes I want badly to tell a friend or a relative something about my life and for a reason completely unknown to me, I can’t. I mean literally, I can’t. I pause, my speech gets labored, I grimace and gesture and look like I’m being stabbed — perhaps I am being stabbed — I’m frustrated and I struggle to try and drag myself up a path my vocal chords do not want to go. The person I’m with often says, “Wow, it’s seems like this subject is really hard for you. You don’t have to tell me about it if you don’t want to!” But I do want to.

People think of Pilates as just a kind of trendy exercise. But as I’ve used it to heal from my body’s injuries, the system Joseph Pilates invented has also been startlingly applicable to emotional and psychological barriers, interpersonal tightness, pain of the mind.

Oh, pain of the mind. Surely we all have it. I bet it was the same back when the cheerily depressive author of the Tao Te Ching wrote, “I alone am confused/Desolate/Oh, like the sea/Adrift/… I alone am different from others/And value being fed by the mother.”

Pilates is actually about being fed by the mother — the mother in our bodies, the vastness inside ourselves. I called the author of the Tao Te Ching “cheerily depressive” just now because in fact, he wasn’t feeling too bad about being confused, desolate, adrift.

He was accepting these feelings, even celebrating them, because he was celebrating and accepting all his feelings and needs right then.

He trusted “the mother” in the Way, “the mother” in himself to supply what would feed him.

That is what I learned in Pilates starting about five years ago, to connect with “the core,” “the powerhouse,” “the center” in my body and mind. And I learned that all parts of the self must work together and support one another, that no parts of the self (or body), even the hurt parts, even the parts that are not yet strong enough, are bad. From a deceptively slight-looking former dancer I learned that human bodies are flexible, that the spine is supposed to move, that even the weakest person has inherent power and that all of us have a “magic belt” around us that can provide nearly infinite power if we only let it support us with its discernment and love. And I learned that mindfulness is the soil to grow it all.

(c) Donna Minkowitz 2012